He was active during the.
He moved again to Treviso in 1542 and back to Venice in 1545.1506) and Adoration of the Child (c.Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs ; Librairie Gründ, Paris, 1976; isbn (in French) Turner.Humfrey, Peter Lorenzo Lotto; New Haven, Yale University Press, 1997; isbn (the first full-length study of Lorenzo Lotto since the monograph of Bernard Berenson) Bernard Berenson Lorenzo Lotto, Abscondita 2008.National Gallery of Art, Washington, USA Marsilio Cassotti and His Bride Faustina (1523).Hermitage Museum, Saint Petersburg, Russia Christ Carrying the Cross (1526).
But in Venice he was overshadowed by Titian, who dominated the artistic scene.
1 2 Bernard Berenson Lorenzo Lotto, Abscondita 2008.In 1532 he went to Treviso.Recanati (15061508) and Rome (15081510) edit The Adoration of the Child, (c.During that time he decorated the basilica of Santa Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto.He would finish five more altarpieces between 15In 1523 he went for a brief stay in the Marches, obtaining there several commissions for altarpieces, which he would paint during his stay in Venice.If the file has been modified from its original state, some details may not fully reflect the modified file.Church of Santa Cristina al Tiverone, Quinto di Treviso, Veneto Allegory of Virtue and Vice (1505).
He died in 1556 and was buried, at his request, in a Dominican habit.
High Renaissance and the first half of the.
Fine Arts Museum, San Francisco The Alms of Saint Anthony (1542).